{"id":19,"date":"2024-01-04T22:42:59","date_gmt":"2024-01-04T21:42:59","guid":{"rendered":"https:\/\/sophimages.be\/?p=19"},"modified":"2025-02-13T19:47:44","modified_gmt":"2025-02-13T18:47:44","slug":"mitra","status":"publish","type":"post","link":"https:\/\/sophimages.be\/nl\/mitra\/","title":{"rendered":"MITRA"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">synopsis<\/h2>\n\n\n\n<p>In de winter van 2012 wordt de Iraanse&nbsp;psychoanalyste MITRA Kadivar, tegen haar wil in, ge\u00efnterneerd in een psychiatrisch hospitaal. Ze begint een email correspondentie met jacques-Alain Miller, de oprichter van de World Association of Psychoanalysis.<\/p>\n\n\n\n<p>In de zomer van 2017 cre\u00ebert een artistiek team een opera die zijn inspiratie put uit deze uitwisselingen tegen de achtergrond van de realiteit in een psychiatrisch ziekenhuis.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Regisseur<\/h2>\n\n\n\n<p>Jorge L\u00e9on en 2018 met Claron Mc Fadden en Lola Felouzis<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Prizes &#038; festivals<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Brussels Art Film Festival &#8211; PRIX Young Jury<br><br><\/li>\n\n\n\n<li>Traces de Vies (Clermont-Ferrand): PRIX best Cr\u00e9ation<\/li>\n\n\n\n<li><a href=\"https:\/\/fidmarseille.org\/film\/mitra\/\" target=\"_blank\" rel=\"noreferrer noopener\">FIDMarseille<\/a>, Marseille, juillet 2018\n<ul class=\"wp-block-list\">\n<li>PRIX Marseille Esp\u00e9rance<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><a href=\"https:\/\/fidmarseille.org\/film\/mitra\/\" target=\"_blank\" rel=\"noreferrer noopener\">FIDMarseille<\/a>, Marseille, juillet 2018\n<ul class=\"wp-block-list\">\n<li>Prix Marseille Esp\u00e9rance<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><a href=\"http:\/\/www.lussasdoc.org\/film-mitra-1,50661.html\" target=\"_blank\" rel=\"noreferrer noopener\">Etats g\u00e9n\u00e9raux du documentaire<\/a>, Lussas, ao\u00fbt 2018<\/li>\n\n\n\n<li><a href=\"https:\/\/www.fiff.be\/films\/mitra\/6739\" target=\"_blank\" rel=\"noreferrer noopener\">Festival International du Film Francophone<\/a>, Namur, septembre 2018<\/li>\n\n\n\n<li><a href=\"http:\/\/www.actoral.org\/agenda\/jorge-leon\" target=\"_blank\" rel=\"noreferrer noopener\">Festival Actora<\/a>l, Marseille, octobre 2018&nbsp;(en parall\u00e8le \u00e0 la programmation de la version sc\u00e9nique de MITRA)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.dok-leipzig.de\/en\/home\">DOK Leipzig<\/a>, Allemagne, novembre 2018<\/li>\n\n\n\n<li><a href=\"http:\/\/www.impact-regio.eu\/fr\/evenements\/detail\/mitra-35-17\">Impact<\/a>, Li\u00e8ge, novembre 2018&nbsp;(en parall\u00e8le \u00e0 la programmation de la version sc\u00e9nique de MITRA)<\/li>\n\n\n\n<li><a href=\"http:\/\/www.baffestival.be\/mitra\/\">BAF<\/a>F (Brussels Art Film Festival), Bruxelles, novembre 2018<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>PRESS<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/www.mitra-film.com\/\">www.mitra-film.com<\/a><\/p>\n\n\n\n<p><strong>Ventilo,<\/strong>&nbsp;4 juillet 2018 &#8211;&nbsp;<a href=\"https:\/\/www.journalventilo.fr\/agenda\/cinema\/87874\/mitra\" target=\"_blank\" rel=\"noreferrer noopener\">MITRA<\/a><\/p>\n\n\n\n<p>&#8220;<em>ce \u00e0 quoi Jorge Le\u00f3n donne toute sa place, autant qu\u2019\u00e0 la production des sons, c\u2019est \u00e0 l\u2019exercice tendu, lui m\u00eame inaudible, qu\u2019est l\u2019\u00e9coute&#8221;<\/em><\/p>\n\n\n\n<p><strong>Zibeline,<\/strong>&nbsp;juillet 2018 &#8211;&nbsp;<a href=\"https:\/\/www.journalzibeline.fr\/programme\/fidmarseille-2018-jorge-leon-a-propos-de-mitra\/\" target=\"_blank\" rel=\"noreferrer noopener\">Entretien avec Jorge Le\u00f3n&nbsp;<\/a><\/p>\n\n\n\n<p><strong>Radio Grenouille&nbsp;<\/strong>&nbsp;juillet 2018 &#8211;&nbsp;<a href=\"https:\/\/soundcloud.com\/radio-grenouille\/mitra-ne-travaille-pas\" target=\"_blank\" rel=\"noreferrer noopener\">MITRA et ne travaille pas<\/a><\/p>\n\n\n\n<p><strong>D\u00e9bordements.fr&nbsp;<\/strong>&nbsp;juillet 2018 &#8211;&nbsp;<a href=\"http:\/\/www.debordements.fr\/FID-Marseille-2018\" target=\"_blank\" rel=\"noreferrer noopener\">FIDMarseille<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/docs.wixstatic.com\/ugd\/89443d_82ab855746b64afa931f40e2eddfae95.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/docs.wixstatic.com\/ugd\/89443d_82ab855746b64afa931f40e2eddfae95.pdf<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.sophimages.be\/BizContents\/Film\/2034\/PressFile\/66861e0c6cbc4ad7b73bb92f675d136a.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">dossier de presse MITRA<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Partners<\/h2>\n\n\n\n<p>Presented at Venice Gap Financing Market 2017 &#8211; Sophimages &#8211; thank you &#038; Goodnight productions; Films de Force majeure, Magellan Films, Produit avec l&#8217;aide du Centre du Cin\u00e9ma et de l&#8217;Audiovisuel de la F\u00e9d\u00e9ration Wallonie-Bruxelles &#8211; VAF vlaams Audiovisueel Fonds . Avec le soutien du Fonds d\u2019aide \u00e0 l\u2019Innovation Audiovisuelle du Centre National du Cin\u00e9ma et de l\u2019Image Anim\u00e9e (CNC), de la R\u00e9gion Provence-Alpes-C\u00f4te d\u2019Azur en partenariat avec le CNC &#8211; Avec la participation du DICR\u00e9AM &#8211; Avec l&#8217;aide de la SACEM &#8211; Avec l\u2019aide du Fonds Audiovisuel de Flandre (VAF) &#8211; Avec le soutien du Tax shelter du Gouvernement f\u00e9d\u00e9ral de Belgique, de Wallonie-Bruxelles International, du GMEM et de l\u2019Ircam<\/p>\n","protected":false},"excerpt":{"rendered":"<p>synopsis In de winter van 2012 wordt de Iraanse&nbsp;psychoanalyste MITRA Kadivar, tegen haar wil in, ge\u00efnterneerd in een psychiatrisch hospitaal. Ze begint een email correspondentie met jacques-Alain Miller, de oprichter van de World Association of Psychoanalysis. In de zomer van 2017 cre\u00ebert een artistiek team een opera die zijn inspiratie put uit deze uitwisselingen tegen [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":20,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-19","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/sophimages.be\/nl\/wp-json\/wp\/v2\/posts\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sophimages.be\/nl\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sophimages.be\/nl\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sophimages.be\/nl\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sophimages.be\/nl\/wp-json\/wp\/v2\/comments?post=19"}],"version-history":[{"count":21,"href":"https:\/\/sophimages.be\/nl\/wp-json\/wp\/v2\/posts\/19\/revisions"}],"predecessor-version":[{"id":900,"href":"https:\/\/sophimages.be\/nl\/wp-json\/wp\/v2\/posts\/19\/revisions\/900"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sophimages.be\/nl\/wp-json\/wp\/v2\/media\/20"}],"wp:attachment":[{"href":"https:\/\/sophimages.be\/nl\/wp-json\/wp\/v2\/media?parent=19"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sophimages.be\/nl\/wp-json\/wp\/v2\/categories?post=19"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sophimages.be\/nl\/wp-json\/wp\/v2\/tags?post=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}